- How to split avchd collection mp4#
- How to split avchd collection code#
- How to split avchd collection crack#
So maybe Tony or another volunteer with PD16 will take a crack at this. I even used my GPU - which in my experience - is more likely to be involved in odd behavior like this than any CPU encoding is.
How to split avchd collection code#
So, I can't replicate the problem, but I'm using PD17 and I don't know how different the CLUT code might be from PD16. Imported and applied "Spinnaker" CLUT (looks great!) Produced all 4 combos.Applied "Arctic Blue" CLUT preset and produced all 4 combos.
I manually stepped through the frames one by one, and I confirmed that every odd frame is the same as the first frame, while every even frame is the actual 25fps footage of the source clip. Next I opened the clip in PD, and set the project's timeline frame rate to 50 (PAL). The only thing I noticed is that the source clip is 25p and the produced clip is 50p, and since the video alternates between the first frame and ones playing at a normal pace, the doubled frame rate seems like a big clue. In the screen capture, I placed MediaInfo details on either side with the original clip specs on the left. Wow, the produced clip is so badly mangled it's a wonder that it even plays at all! Here's a screen capture video of what I saw. are there any other thoughts I have not asked?
How to split avchd collection mp4#
is my only solution to go through every individual mts and convert to mp4 before loading and editing? is there a fundamental issue with CLUTs and AVCHD? So the AVCHD does not like CLUT - looks ok in editor and only goes bad when Produced. apply CLUT to both - produce - both fine. Use mp4 and converted from avchd clip - both fineĦ. apply CLUT to both - produce - mp4 part good - avchd part badĥ. Load (to timeline) one mp4 and one avchd - produce - both fineĢ. I then went through the following sequence of tests to see what I could understand further.ġ. I am Producing to MP4 just as I always do. The MP4 bits came through fine as did the JPGs, but the mts(AVCHD) bits were a disaster and looked vary much like the 1st frame was repeated every other frame which is the only way I can describe the mess. MP4 AVCHD and JPG all produced very acceptable results when CLUTed - as seen in the Editor preview. It did and it was and so far all is fine. Not finding any ideal CLUT I found an article that demonstrated how Davinci Resolve (free) could do the job of creating CLUTs from scratch then saving them in a format compatable with PD16. I momentarily envisaged tweaking each clip/image by hand to my liking (there are over 50 of them) then realised CLUTS may provide the answer to counteract the same green tinge from every item. One group of clips was taken inside The Spinnaker Tower in Portsmouth who have kindly installed heat reflecting glass to keep visitors from frying! However this imparts a green tinge to all photos and videos which I found unattractive. Used a Color Lookup Table for the first time and found a problem.Ī typical project is created from a collection of.